Garry Winogrand
I chose a photographer named Garry Winogrand. Garry Winograd, born on 14 January 1928 in New York’s Bronx, was an excellent American street photographer. He’s been known for his depiction of life in the United States and societal issues. However, this does not imply that Winogrand, a native New Yorker who spoke with the bluntness of a Bronx taxi driver and possessed the ferocity of a pig hunting truffles, was not compensated for his work. During his short life, he won a Guggenheim cooperation, was highlighted in Edward Steichen’s work of art “Group of Man” presentation at the Exhibition hall of Current Craftsmanship, and later figured conspicuously in two significant photography shows, likewise at MoMA, organized by Steichen’s replacement John Szarkowski, one of Winogrand’s initial bosses. Though Garry’s work was widely accepted as excellent by an average street photographer, due to his untimely death and strange working habits, he could not be fully appreciated by the public. On March 19, 1984, at the age of 56, Garry Winogrand passed away from gall bladder cancer. Winogrand left behind 2500 rolls of undeveloped 36-exposure 35mm film, 6,500 rolls of developed but uncontact-printed film, and 300 35mm contact sheets that appeared to have not been edited. That would be identical to working in photography for two lifetimes. “Being married to Garry was like being married to a lens,” even though they continued to live together despite his intense interest in photography, according to Garry Winogrand’s wife. According to Garry, “I photograph to find out what something will look like photographed,” and “No one moment is most important,” Any situation can occur at any time. Throughout his lifetime, he was undervalued for his insightful photography. One of Winogrand’s quotes that I most agree with is, “The photograph should be more interesting or beautiful than what was photographed.” Having the option to catch a second in time and some way or another make it more lovely than we naturally suspected is, as I would see it, what makes photography so significant. No matter where you are or when you are, reading Winogrand’s works can really show you how important it is to look at life from all angles. It was said that Winogrand shot so quickly that the people in front of his lens didn’t know he had hit the shutter. Another story, entitled Everything is Photographable, checks that he took more than 1 million photographs. Each photo was exceptional, imaginative, and distributed so that the whole world might see.
